• Roberto Ghezzi

     Naturografia di Lago Trasimeno - 43.1532710, 12.0236190

    Naturografia di Lago Trasimeno - 43.1532710, 12.0236190

    GHZR_27

    Natural elements on cotton
    cm 120 x 80
    Euro 3.000
     Naturografia di Lago Trasimeno - 43.1532710, 12.0236190

    Naturografia di Lago Trasimeno - 43.1532710, 12.0236190

    GHZR_28

    Natural elements on cotton
    cm 120 x 80
    Euro 3.000
    Naturografia di lago 431838837,120527

    Naturografia di lago 431838837,120527

    GHZR_02

    Natural elements on crinoline
    cm 100 x 50
    Euro 2.300
    Progetto per Naturografie 02

    Progetto per Naturografie 02

    GHZR_09

    Mixed media on wood
    cm 61 x 38
    Euro 1.400
    Progetto Naturografie 01

    Progetto Naturografie 01

    GHZR_08

    Mixed media on wood
    cm 61 x 38
    Euro 1.400
    Naturografia di terra - 433070905,11997

    Naturografia di terra - 433070905,11997

    GHZR_06

    Natural elements on cotton
    cm 72 x 102
    Euro 2.500
    Naturografia del fiume Elsa

    Naturografia del fiume Elsa

    GHZR_11

    Natural elements on organdie
    cm 40 x 40
    Euro 1.200
    Naturografia di bosco

    Naturografia di bosco

    GHZR_10

    Mixed media on cotton
    cm 39 x 39
    Euro 1.200
    Naturografia di terra - 43.2867414

    Naturografia di terra - 43.2867414

    GHZR_12

    Natural elements on cotton
    cm 52 x 62
    Euro 1.700
    Naturografia di albero - 433070905,11997

    Naturografia di albero - 433070905,11997

    GHZR_03

    Natural elements on cotton
    cm 147 x 86,5
    Euro 3.600
    Roberto Ghezzi

    Roberto Ghezzi

    Cortona 1978, lives and works in Cortona
    I was born and raised in a land, Tuscany, where origin and artifice have been meeting for thousands of years, creating new beauty. The landscape has always been the subject of my research, first through pictorial representation and, in the last 15 years, by a very particular process that I have called, with a neologism, naturography, in which the natural environment and time become the co-authors, together with the artist, of the work of art. Over the years, this practice which I would call more an idea than a technique, has been enriched with increasingly transversal meanings, which today range from the aesthetic-conceptual-artistic aspect to dialogue with science, to the dimension of extreme travel and consequently up to the ethical-educational values that a work of art can still have in the era of great environmental challenges.